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I agree with a lot of critics -- linked by
Andy Towle -- who think that
Crash won because it was the less discomfiting choice for straight
liberals. It also felt like a very insider-LA movie that would appeal to industry people.
CT commented how ridiculous it was that
Brokeback Mountain won for everything
except acting. Mostly I'm just disapponted because the Best Picture Oscar® would have encouraged more holdouts to see the film. (Because if it's not
that great, they'd just as soon not.) Honestly, after all the puerile gay-cowboy jokes from the less-than-impressive
Jon Stewart, I think the Academy owed it to us.
P.S. On a related note, I'm annoyed that Netflix's
award listings show only past
winners, not nominees.
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